35th Rosen Sculpture Competition and Exhibition

The Dance, 2018

Wayne Vaughn
Graham, NC

Painted steel, patina steel
7.5’ x 4’ x 4’

Artist statement

Nature and industry inspire my work. I strive to bring animation, balance and intrigue to my work, playing with gravity, but keeping trust between the piece and its landscape. My hope is that my work invites the viewer to play, question, and respond. It is a great honor to have my work recognized. I love to bring animation to cold hard steel. My greatest satisfaction is bringing a smile, inciting a conversation or inspiring a new creation.

About the artist

Wayne Vaughn is a builder, musician and sculptor. As an apprentice to a master carpenter, Vaughn enjoyed a successful building career that spanned four decades. Music plays an important part in his life as founding member of the 30-year-old Triangle Brass Band. Rooted in this combination of physical skill and know-how, dedication, and creative pursuit, his career as sculptor was fostered. Very quickly his bold, geometric, large-scale works began winning awards and the attention of regional and national shows.

For more information, visit www.thesculpturefarm.com

Teeter Tower, 2019

Matt Amante
Winterville, NC

Painted steel
8’ x 1’ x 1’

Artist statement

Life gets busy sometimes. Between teaching, making display and now being a dad, life is going fast!

About the artist

Matt Amante is a maker and Art Professor in Eastern North Carolina. Much of his work develops into series and nature has been a recurring motivation and theme for him.

For more information, visit www.mattamante.com

Steampunk Babylon, 2020

Charles Pilkey
Mint Hill, NC

Rusted steel, bronze
Ht. 10’

2nd Place Rosen Winner

Artist statement

The sculptor – a beachcomber wandering the boundless shore of the world, collects unusual wave-washed shapes and assembles them into artworks. The shore is the edge of the unconscious and the wave-washed shapes are the flotsam and jetsam of world culture, tossed up by the tides of time. It’s humbling to consider how ancient the lineage of sculpture is; by some reckoning, it goes back tens of thousands of years. Certain issues – love, birth, death – have always been of interest to the sculptor. Other issues have changed with the advance of technology. But the technical and formal concerns of Phidias, Unkei, Michelangelo and other masters of form, are much the same for the contemporary artist. And like them, we too want to give free flight to private visions, even while feeling the cold chain of morality tugging at our throats. I’ve been influenced by everyone and no one; my allegiance is to the individualistic visionaries of the past – Bosch, Sesshu and others – more than to any contemporary movement. I am at home everywhere and nowhere. My technique is no technique. My style is none; the works flow from hands like dreams. I worship in equal measure the creative power of the human mind and the vast capacity for love in the human heart. At night, I look up at the stars and wonder…

About the artist

Charles Pilkey has shown his sculpture, participated in competitions and received numerous awards in Tennessee, Kansas, Colorado Missouri, North Carolina, New York, Canada, China, Korea, Japan, Turkey and Italy.

For more information, visit www.charlespilkey.com

Remembering Giotto, 2018

Glenn Zweygardt
Alfred Station, NY

Painted steel, powder-coated steel, stainless steel, bronze
9.7’ x 5.3’ x 2.5’

Artist statement

“Finding one’s place in a relationship with nature is the theme of my sculpture. While working with materials such as metal and stone, a relationship between nature and myself is formed. I want to tell stories and comment on my collective life experience and my perception of a collective consciousness. Hopefully, these ideas and expressions will enter into human consciousness and the fourth dimension.”

About the artist

Kansas born, Zweygardt earned the BFA degree from Wichita State in 1967. He received the MFA from the Maryland Institute of Art in 1969 and is an emeritus Professor of Sculpture at the New York State College of Ceramics at Alfred University. Zweygardt works independently in his workshop in Alfred Station, New York. Here his work continues to evolve-varied shapes and rich surfaces, transparent and dense forms, concept and technical relationships, personal and collective perceptions-into fine art of eminent legacy.

Zweygardt’s mastery of the building process along with his ability to create enormous works of art from materials of tremendous mass has gained him international recognition and membership to the Berman Group, a cooperative of sculptors whose collective work spans virtually the entire spectrum of possibilities of “traditional” modernist sculpture. Duplication and relationship are a recurring theme found throughout Zweygardt’s work. A carefully chosen stone, cast and duplicated in bronze, aluminum or steel becomes the basis of definite architectural themes that manifest in a range of sizes.

For more information, visit www.glennzweygardt.com

Phoenix, 2020

Rudy Rudisill
Gastonia, NC

Steel, copper, paint
8.6’ x 1.4” x 1.4’

Artist statement

Inspired by mythology and legend. Filtered through personal experience and a love of color, my current series of freestanding figurative sculpture is called “Painted Ladies.”

About the artist

A native of Gaston County, North Carolina, Rudisill has been a working metalsmith for over 40 years. His sculpture has been exhibited and won awards in the US and abroad, including: the Outstanding Prize in the Yuzi International Sculpture Awards, Yuzi International Art Center, Guilin, China; First Place in the 26th Rosen Sculpture Exhibition at Appalachian State University, Boone, NC; and Best in Show in The Sculpture Salmagundi XVI, Rocky Mount, NC. He has completed several public art commissions, including designing the buildings for the Mallard Creek Park and Ride lot for CATS in Charlotte, NC. His work can be found in public, corporate, and private collections on three continents.

For more information, visit www.piedmontcraftsmen.org

Light Pulse, 2018

Hanna Jubran
Grimesland, NC

Steel, paint
11’ x 3’ x 3’

Artist statement

Hanna Jubran’s work addresses the concepts of time, movement, balance and space. Each sculpture occupies and creates its own reality influenced by its immediate surroundings. The work does not rely on one media to evoke the intended response, but takes advantage of compatible materials such as wood, granite, steel, stainless steel, iron and bronze.

About the artist

Hanna Jubran’s journey as an artist began in his home village of Jish, in the Upper Galilee region of northern Israel. He completed his undergraduate studies at the University of Wisconsin at Milwaukee dividing his time between ceramics, sculpture, and painting and went on to receive his M.F.A. in Sculpture from UW-M as well. Post-graduation, Hanna taught ceramics and sculpture at UW-M and design and sculpture at the Milwaukee Institute of Art and Design. He is currently a sculpture professor at East Carolina University in Greenville, North Carolina.

Jubran regularly participates in international art shows, competitions and symposiums. Some of his most recent projects include: The creation of “A Monument to a Century of Flight” in Kitty Hawk, NC; The International Sculpture Biennale, Chaco, Argentina; The Elements of the Earth Symposium at Pedvale Sculpture Park, Sabile, Latvia; The International Wood Carving Symposium, St. Blasien, Germany; The International Sculpture Symposium in Pirkkala, Finland; Tultepec, Mexico Monumental Sculpture Symposium; The international sculpture symposiums in: Jish, Israel; Ma’llot, Israel; Cayo Largo, Cuba; Granby, Canada; Kemijarvi, Finland; The international Sculpture Symposium and Conference in Europas Parkas, Vilnius, Lithuania and The Toyamura International Sculpture Biennial at Toyamura Japan-where he received the semi-grand prize. Every symposium Jubran participates in, the sculpture created is retained as part of the town or organization’s permanent collection. Hanna is consistent in his pursuit of creating enjoyable sculptures for private and corporate collections.

For more information, visit www.hannajubran.com

Hoodoos, 2019

Joan Benefiel
Brooklyn, NY

Resin, steel
7.75’ x 2.2’ x 2.4’

1st Place Rosen Winner

Location: Appalachian House

About the artist

Joan Benefiel, born and raised in Wichita, studied art at the University of Kansas and attended the MFA program for figurative sculpture at the New York Academy of Art. Her desire to produce large-scale public art and figurative sculptures inspired her work with bronze. As a technician at a local foundry, she learned the lost wax method of casting before relocating to New York where she joined the Excalibur team. She describes them as “a truly unique and versatile group of talented artists, craftspeople and designers.”

For more information, visit www.joanbenefiel.com

Scheme, 2012/2020

Tom Scicluna
Miami, FL

Concrete parking bumpers, rebar
5’ x 6’ x 6’

Artist statement

As a practice, Tom Scicluna utilizes readily available materials and processes to create context informed sculptures and architectonic-based installations. Whether specific in geographic, economic or social reference, or more immediate and improvised in outcome and form, the project-based works refer to the situational nature of objects and spaces – associative as well as contradictory – with regards to the given conditions of production and display.

About the artist

Tom Scicluna received his BA in Contemporary Art Practice from the University of Northumbria (UK) and an MFA in Sculpture from the University of Miami, FL. Recent shows and projects include: 2019 Atlanta Biennial: A thousand tomorrows, Atlanta Contemporary, Atlanta, GA;6319 NW 2nd Avenue, Nina Johnson, Miami, FL; Some Aesthetic Decisions: Centennial Celebration of Marcel Duchamp’s Fountain, NSU Museum of Art Fort Lauderdale, FL; and Climate Sync, a public artwork realized in conjunction with Miami-Dade Art in Public Places and the University of Miami’s School of Communication (installed at Oolite Arts, Miami Beach, FL). A South Florida Cultural Consortium Fellowship for Visual and Media Artists recipient, his work is in the permanent collections of ICA Miami, NSU Art Museum Fort Lauderdale and the Pérez Art Museum Miami. Scicluna is currently an Assistant Professor of Art at Florida International University, Miami, FL.

For more information, visit www.tomscicluna.com

Unfurling Rising, 2020

David Boyajian
New Fairfield, CT

Oxidized Steel
10’ x 6’ x 4’

3rd Place Rosen Winner

Artist statement

An iconic form is created in the moments when nature deconstructs itself. A seed caught in the wind. The green shoots of a wildflower pushing through the soil. The thrashing of a river after heavy rains. A surge of energy spurs a separation – a great unfolding. It is these naturally sculptural moments that inspire my work.

The physical act of creating sculpture requires a great deal of energy. I create and alter structures until they find balance and become entities unto themselves. This process often begins in drawing, a much more cerebral and immediate medium connecting the hand to the mind. Both sculpture and drawing can find completion in a natural, unadorned state, or a piece may ask for added dynamism and emotion in a layer of bright orange powder-coat or rich scarlet pastels.

The elements of nature are present in all of my work, from personal to private and public commissions. In creating public art, I am one of many authors writing the history of man’s existence, and that of his attempt to rationally construct and give relevance to his emotional, physical, and spiritual connection to the world. This endeavor continually brings me back to the cycle of nature and its poignant synchronicity to human evolution.

About the artist

David Boyajian is an artist, art instructor, and the owner of David Boyajian Sculpture Studio in New Fairfield, Connecticut. In the early 1980s, Boyajian studied at Alfred University, the Skowhegan School of Painting and Sculpture, and earned his MFA from the Maryland Institute Rinehart School of Sculpture. Following his fine art education, Boyajian continued his studies while assisting figurative sculptors Wolfgang Behl, Elbert Weinberg, and Andrew Coppola.

Over the course of his thirty-plus-year career, Boyajian has shown his work in numerous solo and group exhibitions, including SculptureNow on The Mount, Edith Wharton’s home in Lenox, MA, Bull City Sculpture Show in Durham, NC, and “Genesis” an outdoor solo show at the Robert Moses Sculpture Garden at Fordham University.”Genesis” received praise from both The New
York Times and Review Magazine. “Boyajian’s buds and seeds rise well above the usual dross,” wrote Grace Glueck of The Times.

Boyajian’s numerous public commissions include “The Weaving Shuttle” and “The Eye of the Needle” at the Mansfield Town Square in Mansfield, CT, “Lift,” a memorial to a former student at the Canterbury School in New Milford, and “Sanctuary” at the 9/11 Living Memorial at Sherwood Island for the state of Connecticut. His teaching career has spanned over twenty years at institutions such as Western Connecticut State University, Silvermine School of Art, and Hartford Art School at the University of Hartford. Boyajian teaches metal, stone, and wood sculpture at his studio at David Boyajian Sculpture Studio.

For more information, visit www.davidboyajian.com

Blue Nautilus, 2018

Gretchen Lotz
Orlando, FL

Bronze
2.4’ x 2.25’ x 2.2’

Rosen Honorable Mention

Location: Blowing Rock Art and History Museum (BRAHM)
159 Ginny Stevens Lane
Blowing Rock, NC 28605

Artist statement

I became a sculptor because I wanted to make the images I saw in my head when I closed my eyes. I knew what I wanted to create, but I had to figure out how to do it. I knew where I wanted to go— but how could I get there? This was not an easy thing for me to do. Untrained in three-dimensional craft, I struggled to recreate the pictures I saw in my inner vision. All my images seemed to be developing in a consistently personal way.

My sculptural influences have come out of myself, maybe from that secret place that connects us all to something greater. Here are words I like: rescued, ageless, primordial, symbolic, oceanic, mystery, arcane, mythical, wonder, original, timeless, sacred, corporeal, coil of transcendence, uncompromising, temple, undersea, ruins, beginning, unexplained, unsaid, depths, unknown, unspoken, unrecognized, unrealized, unborn, just is, control, out of control, invitation, message, whispers, Argonaut, baroque, pre-history, dreamy, fantasy, magic, organic.

About the artist

Gretchen Neumann Lotz, by her own admission, had a very unenriched and uncreative childhood— she never drew, colored, or made anything that she would call art. However, she enjoyed making her own clothes— and she still does. She grew up in an old Miami, Florida neighborhood, which would later become historic Little Havana.

Lotz went to the University of Florida and inexplicably enrolled in a drawing class for which she felt she was totally unprepared. Obviously, art was not for her. Trying to offer solace, her teacher said: “You can always tell a Gretchen Neumann.” Eventually, she married that teacher, Steve Lotz, and devoted herself to emotionally supporting his blossoming art career. Meanwhile, she loved the “language” of “symbols;” so she became an English teacher. She never thought much about “art” again until, two children later, she was watching them play along the shore of Lake Atitlan in the highlands of Guatemala, when she picked up two lava rocks and started shaping unexplained forms. That was when she realized that the written images she was working with wanted to become visual images— they demanded to be born.That was the beginning of consciously trying to give corporeal life to the pictures she saw in her head. She became the sculptor she always had been.